Pizzini 'White Roman' 2012 (King Valley)

This is a new white blend from Pizzini, with a different varietal mix and character from the initial release. Riesling, Gewurtztraminer and Pinot Grigio are the varieties used. That mix says the very north of Italy to me rather than Rome, and I'd prefer a name less passing-off Italian geography than 'White Roman', but to give the Pizzini's their due, this is a successful example of an acid-driven but still textured white blend.

If anything, the gewurtz is muted here. Overall alcohol is labelled as 12%, so perhaps the gewurtz fruit was picked without the heady lychee & Turkish Delight aromatics it is capable of. Acid kicks off on the front palate and carries the wine through, with a wash of soft and generous fruit in the mid-palate. Citrus runs the line, but this is clearly about more than riesling drive. Lighter pasta with a chilli kick would be a good idea with this, or Cajun-spiced fish dishes. Would not go astray with a prawn sandwich either.

Drink now. Screwcap, $18.50, purchase from cellar door, 12% alcohol, website here.

Morrisons of Glenrowan Fiano Garganega 2013 (Glenrowan & King Valley)

Earlier this year I spent a bit of time tooling around Glenrowan, checking in to the old vine Trebbiano at Booths Taminick and a quick look at the Bailey's vintage port. Whereas I went to Baileys expecting to buy and left empty handed and disappointed, the punt taken on a first visit to Morrisons came off.

While I often think of Beechworth as the 'higher country' for Rutherglen and Glenrowan, the latter has its own slopes over and up to Mt Glenrowan and the Warby Range. The Morrison's site feels different to other Glenrowan vineyards. It looks like ideas tipped out at random across a hillside. A plot of vines here, a bit of green building over there, a winding track designed to disorient and lift SUV driving blood pressures. You half expect a grove of miniature, chainsaw-carved Ned Kellys or a nudist colony, or some full-beard mix of both.

Bob and Dianne Morrison run the place, but there are vines over in the King Valley as well as the art-farm-colony on the hill at Glenrowan. The ideas carry inside their sheds and cellar door, or maybe spilled out from there in the first place. Bob's a gregarious guy - a distracted air about him, a sense it's the women that yoke the ideas to the ground.

The more you talk with the Morrisons, the more you get a sense the whole thing is a blend of the deliberate and the accidental, a pinball rythym of ideas across time and site. Lets try a distinctly lighter style of Durif from a NSW-developed, lower alcohol durif clone, but grow it at Glenrowan? Sounds good. Cock a snoot at that Rutherglen durif. Why not a bit of Glenrowan tempranillo as well?

And then something wilder still. Why not a blend of Fiano and Garganega? But let's turn Soave & Campania inside out and around. Why not ripen the Garganega to a rich texture of pear-juice and apple-candy, but do the Fiano light, bright and lean, then put them together? They won't see that one coming. It'll be a bit Barbie, a bit Bride of Frankenstein, all off to a school dance, corset holding in the pieces.

I didn't see it coming. But I liked it. And did I mention Bob is keen on the Zork closure, so there is no screwcap or cork? A bottle drunk at home in Canberra perked up early and held its own with chicken & pasta. Towards the end of the bottle the air started to show in cut-apple-brown, but in a group on a warm day at lunch, I'd wager this wouldn't last long enough.

I still don't think I completely understand what's going on at that Glenrowan hill, but the distinctive, scatty vision, stitching ideas and places together, experiment piled on... there is a freedom there, a sense of plowing your own road. Worth some attention and regard, for mine.

Website, $18, 12% alcohol, Zork.

Foster e Rocco Sangiovese 2010 (Heathcote)

A wine recommended to me at the Heathcote Cellar & Store - surely one of the best venues showcasing regional wines in the country and a good reason to visit Heathcote.

This is the oaked sangiovese from Foster e Rocco, complementing the 'Nuovo' version and released later. Heathcote grapes and from a year at the end of a rough trot of hot vintages. There is some tasty cherried & raspberried fruit here, mostly fresh, a touch jammy. But the tannins show struggle: big, blocky, rasping across your mouth; and out of whack with the fruit. An example of sangiovese shading out of the pleasantly drying tannin spectrum and into harsh dessication. Time may be kind, but my suspicion is this will never come round.

Screwcap, purchase, $20-$25, 13.5% alcohol, website here.

Montevecchio Rosso 2011 (Heathcote)

Montevecchio is a new brand from the Chalmers family - one of the driving forces behind alternative varieties in Australia, both with their Chalmers Wines brand, their previous vineyard and nursery, and their support for the Australian Alternative Varieties Wine Show.

The Chalmers sold their original vineyard (from where I bought sagrantino fruit in 2007) to Macquarie. While much of the nursery stocks of rare clones, including the MAT clones imported from Italy, has since been bulldozed, the family also set up a Heathcote vineyard with a mixture of Italian and other varieties.

My first impression of the title 'Montevecchio' had me wondering if there was a chance of this being an exercise in passing off Australian fruit, winemaking and wines as if it were an Italian brand. But given the age of the Heathcote soils, the Mount Carmel range, and the clear badging of 'Heathcote, Victoria' on the front labels of the red and white blends and the moscato, I think this passes well.

The 2011 Rosso is described as a 'co-fermented field blend of hand-picked shiraz, lagrein, nero d'Avola and sagrantino'. The description has me wondering how many purchasers and drinkers would understand what 'field blend' might mean (not to mention co-fermentation)? Were the grapes picked at the same time and co-fermented as a single batch? Picked from one, mixed-block, or several mono-varietal plantings? Lots of room to move under that 'field blend' label, really.

Anyway, this is a wine of the cool, wet vintage rather than of the varieties involved. There is a bright, clean flow of light, crisp fruit all through the palate here. A pleasant, sour-fizz confectionery note is the main appeal. This is jug wine, in a good way, and has me thinking tapas as much as antipasti.

Purchase, $20, screwcap, 12.5% alcohol, website here.

Pizzini Nebbiolo 2001 (King Valley)

One of the reasons for this blog is to taste and write about aged examples of Australian wines made from Italian grape varieties. This early example of a Pizzini nebbiolo has come to a point of gentle, assured, aged-wine drinking. Nothing showy - good, light nebbiolo fragrances of roses steeped in tea, dried orange peel, the lightest touch of leather - and a fine balance of acid and tannin. Some refreshment here too, and a polite foil for braised beef & polenta or cous cous.

So add another tick of evidence in the column for the age-worthiness of Australian nebbiolo. Drink over the next year or two if you still have some.

Cork, purchase, $45, 13.8% alcohol.

Post script: An intriguing claim sits on the front label of this wine - 'Nebbiolo's aristocratic personality has asserted its supremacy over other wines'. Some irony in the bombast of that claim being in direct contrast to the gentle, understated, assured character of this as an aged wine... Nebbiolo not as a domineering lecture, but a good conversation.