Morrisons of Glenrowan Fiano Garganega 2013 (Glenrowan & King Valley)

Earlier this year I spent a bit of time tooling around Glenrowan, checking in to the old vine Trebbiano at Booths Taminick and a quick look at the Bailey's vintage port. Whereas I went to Baileys expecting to buy and left empty handed and disappointed, the punt taken on a first visit to Morrisons came off.

While I often think of Beechworth as the 'higher country' for Rutherglen and Glenrowan, the latter has its own slopes over and up to Mt Glenrowan and the Warby Range. The Morrison's site feels different to other Glenrowan vineyards. It looks like ideas tipped out at random across a hillside. A plot of vines here, a bit of green building over there, a winding track designed to disorient and lift SUV driving blood pressures. You half expect a grove of miniature, chainsaw-carved Ned Kellys or a nudist colony, or some full-beard mix of both.

Bob and Dianne Morrison run the place, but there are vines over in the King Valley as well as the art-farm-colony on the hill at Glenrowan. The ideas carry inside their sheds and cellar door, or maybe spilled out from there in the first place. Bob's a gregarious guy - a distracted air about him, a sense it's the women that yoke the ideas to the ground.

The more you talk with the Morrisons, the more you get a sense the whole thing is a blend of the deliberate and the accidental, a pinball rythym of ideas across time and site. Lets try a distinctly lighter style of Durif from a NSW-developed, lower alcohol durif clone, but grow it at Glenrowan? Sounds good. Cock a snoot at that Rutherglen durif. Why not a bit of Glenrowan tempranillo as well?

And then something wilder still. Why not a blend of Fiano and Garganega? But let's turn Soave & Campania inside out and around. Why not ripen the Garganega to a rich texture of pear-juice and apple-candy, but do the Fiano light, bright and lean, then put them together? They won't see that one coming. It'll be a bit Barbie, a bit Bride of Frankenstein, all off to a school dance, corset holding in the pieces.

I didn't see it coming. But I liked it. And did I mention Bob is keen on the Zork closure, so there is no screwcap or cork? A bottle drunk at home in Canberra perked up early and held its own with chicken & pasta. Towards the end of the bottle the air started to show in cut-apple-brown, but in a group on a warm day at lunch, I'd wager this wouldn't last long enough.

I still don't think I completely understand what's going on at that Glenrowan hill, but the distinctive, scatty vision, stitching ideas and places together, experiment piled on... there is a freedom there, a sense of plowing your own road. Worth some attention and regard, for mine.

Website, $18, 12% alcohol, Zork.

Fiano & Malaysian food

A quick note on a surprising match (for me). Dinner for a birthday last night at Abel's Kopi Tiam restaurant in Manuka. Walking over from the bus, I go past Vintage Cellars and decide to duck in. Let's not dwell on the service, but I notice a bottle in the chill cabinet of the 2010 Fox Gordon Adelaide Hills Fiano for less than a $20 and decide to take it to dinner, along with the 2007 Lazy Ballerina McLaren Vale shiraz viognier from David Hook I was already lugging.

A large-ish group, so a banquet was the plan. Fried squid in spice, a good chicken satay, fresh roti, lots of vegetables, rich noodles, a chicken curry, beef rendang & rice... The fiano did a surprisingly good job against everything other than the rendang. The fleshy, candied-lemon texture and flavours, plus a touch of phonolic grip, all worked well with the moderately spiced food.

So, Fiano and Malaysian food. Worth a try, I think.

Scott 2010 Fiano (Adelaide Hills)

My second wine from this new Adelaide Hills producer and I like it a lot. Fiano has the ability to retain natural acidity even in the heat of South Australian vintage, as well as delivering some genuine interest in flavours, textures and palate weight.

What I like best about this wine is that it does not taste of young vines. Sure, it is ripe fruited (13.5% alcohol), but there is weight and intensity that is unforced and honest. The citrus is there (more in the just-candied lemon part of the spectrum), there is an attractive lemon pith bitterness, it has length, persistence and crispness, but for me the star of the flavour show is a clean and clear hit of pear drops - pear fruit and pleasantly sour acid, working together. While a little less ripeness and alcohol might freshen the wine and give it a more brisk carry through the mouth, I wouldn't want it to come at the expense of that clarity of pear drops flavour and acid, nor the richness of mid-palate texture the wine has.

Good fruit, smart winemaking and a characterful wine of versatility and persistent interest. A producer to watch, I reckon.

$25 rrp (10% off in a six pack), 13.5% alcohol, screwcap. Website here.

Back in Canberra

Blog services to resume shortly, having had a brief break for the season over in Adelaide. If ever a place glad to visit, chuffed to leave and ecstatic not to live there...

That said, there were some good finds on the trip, some Italian, some wine, some just good:
- Espresso Royale on Magill Road. By a flying mile the best coffee I've ever had in Adelaide. Roast, ground and made on site by people who know coffee. Drove there twice in two days before they closed down for three weeks.
- Around Espresso Royale is a bit of a Magill Road cluster of good businesses trading in organic produce, including a bunch of organic nonnas knocking out excellent handmade pasta, plus a good organic butcher. Double cut tbone for bistecca, and very fine ham.
- Cheese diversity & quality at the Central Markets is looking up. The Smelly Cheese Shop had crowds three deep for some excellent cheeses (candied cumquats also excellent). And a very good Assam laksa from the Malaysian stand.
- Melt restaurant looked like it still needed to settle into the Italian-Spanish mix/fusion thing, but the highlights (including some of the pizzas) were having me second-guess my expectation of Adelaide food disappointment.

On the way over to Adelaide, ducked in to Tahbilk at Nagambie and a brief stop in Heathcote. Aside from the strangeness of seeing the wetlands at Tahbilk very wet, their 2010 riesling was a real surprise and worth an on the spot six pack buy.

Heathcote was an even bigger surprise. My impressions had been of a red-wine and French-variety focussed (even obsessed) region - a lot of big reds carrying more heat than needed and in a fairly narrow stylistic vein. I now think I need to go back for a proper look. The Heathcote Cellar & Store, with an ex-Hardy's viti manager on the floor, is a good showcase for the region. The number and diversity of non-French vines and wines really surprised me, especially sangiovese, nebbiolo and tempranillo. And when the local showcase is confident enough to run a month featuring Spanish wines (mainly imports), and local winemakers (Sanguine Estate) drop in with wines left-over from a tasting, you know some things are working right for a region. A trip back after vintage is in order, I reckon.

And Australian wines from Italian varieties from the trip? Vermentino is starting to appear more in wine lists, including in Adelaide (such as the Serafino vermentino, which acquitted itself better than some fairly dire greek food on Rundell St). At dinner last night at Stefano's in Mildura, the 2009 Chalmers fiano went very well with a simple fried squid dish - gentle phenolics and a nut skin character on the finish adding interest to the wine.